me when i
>>perhaps i am unknowable, but i will burn for your sake all the same. •jp•21•isfp•♋️•Black lives matter, always.•icon by @rhymewithrachel• help hatch my dragons!🥚
>>perhaps i am unknowable, but i will burn for your sake all the same. •jp•21•isfp•♋️•Black lives matter, always.•icon by @rhymewithrachel• help hatch my dragons!🥚
when you download a pdf and it’s called like 1328723486basdf12.pdf but then you gently rename it to what it’s supposed to be. that’s forming a bond with a hurt and wild mythological creature and reminding it who it is.
(via mothmosaic)
Heteromorph Ammonite shells always look like wizard hats to me, and so here are a few varieties depicted as anthropomorphic wizards. Once I have a reliable printing set up I hope to compile these, along with seven other wizard designs, into a zine.
(via marinebiologyshitposts)
‘he has bewitched me body & soul’ and its the wettest most pathetic freak youve seen in your life
(via yayee-prsp)
Just found out my facebook birding group is public because my cousin (a lawyer who is not into birds) casually said to me “saw you couldn’t identify a willet the other day… pretty embarrassing”
(via succexy)
free my man he only did some of that
(via theunstablejester)
no offense to anyone personally but I think we are way too used to and comfortable with weekly releases and if that wasn’t already bad enough, it seems like most of you aren’t even patient enough to wait for the official release date my point is this industry moves way too quickly
The way that people treat with the medium of manga is interesting and sad because a lot of mangaka are disabled and becoming disabled because of the intense workload. The grace extended to legendary author-artists like Togashi should be how all these artists are treated, and more. Your favorite artists are destroying themselves to create the pages you consume and make judgments on and they deserve to take the time their bodies need to recover from these efforts. The weekly release schedule is literally hurting artists.
What’s worse is how they’re expected to do extra work unpaid like exclusive bonus illustrations for retailers and are expected to pay for assistants themselves. Licensing deals with adaptions are fucked up Gureishi is not the only one who has said an anime adaption did nothing for them financially Hideaki Sorachi of Gintama fame has also been open about how little money he has made from the hugely successful Gintama live action projects. Its so fucked up out there for them with no safeguards when their health fails them aside from living off of royalties, and this is an “improvement” from when publishers were fully okay roping manga artists into doing more than one serial at a time or lock them up in hotels with no sleep until they completed their manuscripts
(via sabertoothwalrus)
(via boy-saint)